Christy Hayes: Escape from the Camper

Robert Hansen was asked about Christy Hayes and the “camper incident” during his February 1984 statement to authorities. At that point in his interview, they were not convinced he was telling them the whole truth (and were about to confront him with that fact).

What they knew was that Christy Hayes had been in a street fight. That it was not something she’d easily forget. That she was prepared to testify against him on that basis alone. And there was something else: experiences like those he had with Christy Hayes, and the camper, ultimately drove Robert Hansen to use the airplane as his preferred kidnap vehicle.


[Transcript lightly edited for clarity]

FR: [Tell us about] the black woman in 1979… That happened with her before you had an airplane?

RH: The one when I broke the window and all the…?

FR: Yeah.

RH: Yes. Oh yeah.

FR: Where were you going to drive her? What was the deal there?

Camper
Outskirts of Anchorage, 1970’s (Steven Cysewski)

RH: Sir, I wasn’t really going to go any farther than right there [west of Muldoon near the Glenn Highway]. I thought gee whiz, you know, ah, she was strictly a — well she propositioned me there in that there Embers, I think it was called at that there time. That was just a deal where I just thought that I had sufficiently scared [her that] there wasn’t going to be any problem. She told me there wasn’t going to be any problem, ah, I was just going to have sex with her. Just pull off the side of the road right there and ah…

FR: Somewhere in town?

Camper
Site of Camper Incident, 202 Stewart Street (Google Maps)

RH: …and then take her right back. I said I’m going to drop you off right back up town and that’s it, you know. But ah … When she was up in the cab of the truck… she had that locked, and had, uh, the back window there locked and I couldn’t get, uh, into her. The key for the camper was up sitting on the dash. I had, I had the truck keys, uh, my (inaudible) keys in my hand, but she was locked in the cab with the keys to get into the God damned camper. Uh, from the, the back end, you know. And, uh, she was sitting in there and, you know, had the doors locked, but I couldn’t get in to her…

And, I, I showed her right where the God damned key is, on, laying, it was laying right in fucking plain sight, you know, on, on the dash of the ca … or it was in the pickup. I said, “how in the hell can I get them”, you know. Anyway, she, and she kept on screaming and I just frickin’ got mad and I stuck my hand in and punched the windshield, or the side window, and knocked that completely out and, uh, said something about, “No, I’ll get the fucking keys,” you know, and reached in for them. And then she jumped out the other side door and ran away, you know.

Source: Statement of Robert C. Hansen, District Attorney’s Office Anchorage, February 22, 1984


Hansen professed that he didn’t like “slam-bam-thank-you-ma’am.” But his arrangement with Christy Hayes had all the earmarks of a “quickie.” As things progressed, it became clear to Christy that Hansen wanted more than that. Cindy Paulson explained it best:

“He said ‘cause he used to work on the slopes and that he would come down and spend money for a girl and go to her room for ten or fifteen minutes. And he said well he was gonna start getting his money’s worth. So he felt he should go and get the girl and… do what he pleased with her.” (Cindy Paulson)

(CONTINUED)

RH = Robert Hansen; FR = Frank Rothschild


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Paula Goulding: The Secret Rendezvous

“Dancing nude did not come easily to Paula Goulding. For the first week she only danced topless. She was a beautiful woman, however, and the woman who managed the club was patient with her. Then she finally got up the nerve to dance bottomless. She knew that the girls who did made more money than the girls who didn’t. Ironically, that was the night she made a date for a secret rendezvous with a mystery man, a date she should have refused.

“Goulding met the man at the Bush Company, where he offered her $200 to meet him for lunch. His only stipulation was that she come in a cab. On Sunday the 24th, Goulding called a cab and departed her home.”

Excerpt From: Walter Gilmour & Leland E. Hale. “Butcher, Baker”

Secret Rendezvous: Paula Goulding
Paula Goulding (Alaska State Troopers)


From Robert Hansen’s Confession

[Transcript lightly edited for clarity]

LH: Do you remember where the two of you [planned to] rendezvous at?

RH: Not exactly. No. Downtown most likely some place.

LH: Do you remember how she arrived there? She was supposed to come a certain way.

GF: How would you get them there so you wouldn’t be seen making the connection?

RH: That’s one thing that I thought I was always pretty careful about… And ah, I was going to meet them out in front of the Safeway there at the Northway Mall and one time down by the Post Office Mall downtown… I always made sure I was there, oh, at least half an hour, forty-five minutes ahead. I just stood there and waited you know, not where I thought they could see me, you know. And if someone pulled up with them and stayed, I just turned and took off.

GF = Glenn Flothe; RH = Robert Hansen; LH = Lyle Haugsven


By the time Paula Goulding met up with Bob Hansen for their “lunch date,” she was desperate and confused. Her overwhelming emotion was to leave the topless dance business behind. Hansen, ever in search of a “romantic” relationship — where the woman liked him for himself — offered to let Paula stay at his house until she figured things out. His wife and kids were out of town, so the opportunity was there.

But Paula was wary. Running scared. Before she knew it, she was handcuffed and in Robert Hansen’s airplane. This was not the secret rendezvous she had in mind.


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Getting to Go

In December of 2013, Butcher, Baker was republished by Todd Communications. It was a limited run, sold only in Alaska. That might sound like a small thing. It wasn’t. We finally reached an agreement with Flip Todd, swept all the misunderstandings away and moved forward on better footing. This is what life is about.

So… you can forget about all that other nonsense that was said in some ancient past. It’s history. Thank goodness for that!

Robert Hansen Dies at 75

Serial killer Robert Hansen died Thursday, August 21, at an Anchorage hospital. He was 75. His death appears to be from natural causes. According to the Alaska Department of Corrections, Hansen’s health had been declining for the past year.

The Anchorage Dispatch News quotes retired Alaska Trooper Glenn Flothe on Hansen’s death. Fittingly, it is Flothe who gets the last word.

“On this day we should only remember his many victims and all of their families, and my heart goes out to all of them,” wrote Glenn Flothe, a retired Alaska state trooper who was instrumental in Hansen’s 1984 capture.

“As far as Hansen is concerned, this world is better without him.” Flothe wrote.

Glenn Flothe in 1982, shortly after Robert Hansen’s arrest.

Flothe

The Anchorage Dispatch has additional coverage of Hansen’s transfer to the Anchorage Correctional Complex, prior to his death. According to troopers, Hansen had “Do Not Resuscitate” paperwork on file with the Department of Corrections. He got his wish.

Frozen Ground: The Distribution Game, Part II

That the film industry is one in transition is oft-discussed. In North America, movies are increasingly watched at home — hence the success of Netflix. Globally, it’s a somewhat different story, as this piece from PWC notes:

China will become the fastest-growing filmed entertainment market in the world, expanding by a CAGR of 14.7% from 2012 to 2017, followed in the Asia Pacific region by Thailand (10.5%) and India (9.9%). Other markets with double-digit CAGR are Venezuela, Russia, and Argentina. The larger traditional markets in North America and Europe are comparatively stagnant, with 1 to 3% growth in general.

Now consider this in the context of The Frozen Ground release schedule. The Argentina release, for example, has moved to December 12, 2013 (where it will be known as [correction] Cazador de mujeres – Hunter of Women). But countries across Europe and Asia have already seen the film’s debut, the one exception being the all-important China market (which should be on track for a 2014 release; the film has already appeared in the Taiwan market).

As noted in our previous blog post, distribution decisions restricted the North American theatrical release — but reflect the changing dynamics of the North American film industry toward the home market and away from the theatrical market, where it seems only blockbusters survive.

Recommendation: If you like Nicholas Cage, see the movie. If you followed the Hansen case, see the movie. And then, when you feel the need for more soda and popcorn, read “Butcher, Baker.” If you want to support a great institution in the process, order it from the Alaska State Trooper Museum.

Frozen Ground: The Distribution Game

I missed this detail in my earlier posts, but the Anchorage Daily News has a great story explaining why The Frozen Ground movie has not enjoyed a wide theatrical release. Dunham quotes Ron Holmstrom, who played Hansen’s lawyer and is an Anchorage-based board member of the Seattle Local of the Screen Actors Guild. Holmstrom explains why the movie did not premiere in Anchorage, where much of it was filmed.

“The reason that Anchorage is being skipped… has to do with a fight among theater chains, producers and distributors that involves, among other things, the video on demand (VOD, home pay-per-view) release of ‘Frozen Ground’ on the same day that it opens in American theaters.”

It wasn’t just Anchorage that was affected. Few cities saw “The Frozen Ground” reach theaters.

Holmstrom adds: “I spoke with both Lionsgate, the theatrical distributor, and Grindstone, the VOD distributor. They assured me that because of the VOD release, the big cinema chains refused to do a wide release.”

This is, of course, a business decision. The principals behind “The Frozen Ground” are Emmett/Furla Productions (they drove the film from its inception). Emmett/Furla are in tight with Lionsgate and Grindstone Entertainment Group, after signing a 10 film deal in 2012. From the PR piece announcing the deal:

The Grindstone collaboration with Emmett/Furla and Cheetah Vision has generated a string of successful features starring notable A list actors, including: the thriller SET UP, starring Bruce Willis, Ryan Phillippe and Curtis “50 Cent” Jackson; the crime drama FREELANCERS, starring Robert DeNiro and Forrest Whitaker; the high octane FIRE WITH FIRE, starring Willis, Josh Duhamel, Rosario Dawson and Vincent D’Onofrio; and the serial killer thriller THE FROZEN GROUND, starring Nicolas Cage and John Cusack. The next film slated for release from Grindstone’s partnership with Emmett/Furla is the crime thriller EMPIRE STATE, starring Dwayne “The Rock” Johnson, THE HUNGER GAMES’ Liam Hemsworth and Emma Roberts.

So if you happen to live in New York, Dallas, Phildelphia or… Wasilla, Alaska (pop. 8,456)… You were lucky… Otherwise, it’s VOD (If you have Redbox in your area, you might be able to get it there, too).

Recommendation: If you like Nicholas Cage, see the movie. If you followed the Hansen case, see the movie. And then, when you feel the need for more soda and popcorn, read “Butcher, Baker.” If you want to support a great institution in the process, order it from the Alaska State Trooper Museum.

Frozen Ground (The Movie): U.S. Premiere

Well, well, well, kiddies… The news of the world now reveals that… The movie inspired by “Butcher, Baker” — also known as the Frozen Ground — is now going to premiere in the U S of A.

You heard right. Premiering in the U.S.A. On 23 August 2013. Not sure where… Or how many screens. But… Here’s the link: Frozen Ground @IMDb. Congratulations everyone, especially Mr. Scott Walker, for whom this is a Hollywood directing debut.

BTW — why do I keep saying Frozen Ground “The Movie?” Because it wasn’t that long ago that a Google search of “Frozen Ground” brought up “Frozen Ground Beef” recipes… And yes, I posit here, now and forever… that “Frozen Ground” is a shitty name… Actually, an ab-so-lute-ly shitty name… Especially compared to the (ahem) original.

Them’s the breaks, kids. Them’s the breaks. Take no risks and nothing will happen either to you or for you. I’ll take my risks, thank you. I’ll put myself out there. Mindful that, as a friend reminds me, “the writer always gets screwed.”

No matter. You can still buy the original work on Amazon. Yes. And I don’t make a penny (that’s the way how it works; see above). “Butcher, Baker” is the real thing. No made up scenes. No gratuitous drama because, really, it isn’t necessary. This is true edge of your seat stuff. And, no, I haven’t seen the movie…

Frozen Ground: Argentina Update

Having just returned from Argentina (it was great, BTW), I now have another update on the release of “Frozen Ground.” Thanks to my friend Elisa, here’s a link to an Argentine web site (cinesargentinos.com) with the following update (Spanish):

Basada en una historia real, un policía del estado de Alaska se une a una joven mujer que ha escapado de un asesino serial, para encontrar al delicuente y llevarlo a la justicia.

TITULO ORIGINAL: Frozen Ground
ACTORES: Nicolas Cage, Vanessa Hudgens, John Cusack.
GENERO (genre): Suspenso.
ORIGEN: Estados Unidos.
DURACION: No informada
CALIFICACION (rating): No disponible por el momento

ESTRENO EN BUENOS AIRES: 07 de Marzo de 2013

Rough translation: Based on a true story, an Alaska State Trooper meets a young woman who has escaped from a serial murderer, finds the offender and brings him to justice.

Remembering Robert Lescher

Robert Lescher, of the Lescher & Lescher Literary Agency, recently passed away at the age of 83. his post is my heartfelt remembrance of a man I knew for almost three decades.

In 1985, I was an absolutely unknown author, trying to sell a true-crime manuscript called “Butcher, Baker,” the story of a serial killer in Alaska. Walter Gilmour (my co-author) and I knew we needed a literary agent to get there. That agent turned out to be Robert Lescher. He told us his was a small, boutique agency which carefully selected its authors. He was our man. We just weren’t sure whether we belonged there, given that he represented heavy hitters like Isaac Bashevis Singer and Alice B. Toklas. We needn’t have worried.

Bob immediately started working his magic. Soon we were getting rejections from   Norton, Grove Press, Harper & Row… all the majors. About 16 rejections in all — each from editors who could, on their own word alone, make publication a reality. Then came the letter from Bob, dated January 5, 1987. It read in part:

… I have only now been able to turn to the revision. It was read here by someone else as well, and I have to say that neither of us has the enthusiasm for the work that we had hoped to have…

I’m afraid now I’m going to have to return the material to you in the hope you can find an editor yourself, or another agent, who might give you the help you want. I’m sorry I can’t be the one, but I know that you wouldn’t want me to represent your work if my feelings are as ambivalent as they seem.

There is was. We’d been fired by our literary agent. He’d taken a chance on us, and we’d let him down.

My co-author and I were in a quandary. Walter wanted to go forward with the manuscript as-is. I felt we had about $1million worth of great advice (those pesky rejection letters). That advice said: “start over, start fresh, do a complete rewrite.” Walter balked. I got him to give me a year and a half to turn the whole thing around. Then came the next discussion. To whom do we send the new version?

Walter’s abiding frame of reference for all things business is real estate, which meant we needed to give Bob Lescher the right of first refusal. I didn’t expect much, because at the time I put little stock in second chances (hey, I’d just been through a divorce). We hadn’t really identified any alternatives, however, so… Back to Bob. His response came on May 24, 1990:

The manuscript just came in and I can see at once that a considerable amount of new work went into it. I’m going to share the manuscript with [editor], as I promised… and I’ll get back to you when his response reaches me.

Wow. Re-hired by our literary agent. And successfully published soon thereafter. Amazing.

There are several  lessons here, but I’ll always remember this one: Bob gave us a second chance when none seemed possible. It was at that moment I realized how deeply he cared about authors and how much he respected the writing process. Equally important, he had that essential but elusive ability to change his mind, based on additional evidence. I was blown away. I still am.

Postscript: A decade later, I wrote a book called “Huck Finn Is Dead.” Though a flawed work, Bob saw its potential — and encouraged me to take a second stab at it, even after a disappointing round of rejections. Only recently was I able to take him up on that proposition.

Here’s to you, Bob… After reworking the manuscript like crazy — and belatedly adding an entirely new beginning — I recently published “Huck Finn Is Dead.” And yes. I thoroughly believe in second chances…

Movie Update: Don’t Cry for Me “Frozen Ground”

In the latest Frozen Ground update, we note a few changes about its impending release. First, the release date has been moved from early December 2012, to March 2013. Second, the theatrical premiere is now scheduled for Argentina. No word on when, if ever, the film will be released in U.S. theaters.

Other tidbits.

  • Not sure how I missed it the first time, but E (Entertainment Online) has a snarky piece on Vanessa Hudgens playing a stripper in the Frozen Ground, the serial murder film inspired by Butcher, Baker.
  • Speaking of snarky, there’s the always dependable Chelsea Handler on Chelsea Lately. This time, she digs at Vanessa Hudgens (Cindy Paulson) and 50 Cent (50 plays Cindy’s pimp).
  • Or was that Vanessa Hudgens and Nicolas Cage?
  • At any rate, the whole Nicolas Cage dust-up over Vanessa Hudgens seems to have rated an apology, if not a denial.

You can still buy the original work on Amazon. Yes. “Butcher, Baker” is the real thing. No made up scenes. No gratuitous drama because, really, it isn’t necessary. This is true edge of your seat stuff. And you don’t have to go to Argentina to get it (although that sounds like a great idea).