As January dragged on, Walter Gilmour was called into the Director’s office, so that Col. Dankworth could brief him on changes in his job responsibilities. No matter the assignment, there was going to be a lab in his life: Gilmour was being shifted to drug investigations and, effectively, being taken off homicides. Even so, the Colonel asked, “By the way, are there any new developments on the McHugh Creek homicide?”
Always willing to say more than he should, Gilmour summarized the state of play.
“I can’t say for sure about the McHugh Creek case,” Gilmour admitted, “but it seems that we just don’t have much information. One of the family members seems to be telling an implausible story with regards to his time table and when he last saw the girl. We have searched his car for physical evidence, but prior to the search he had hit a moose and there is hair and blood all over the car. We haven’t really turned up physical evidence that would link him to the crime.
Moose Crash Area, Kenai Peninsula
“Reed and I interviewed him, he admits that the photos taken in the parking lot look like the type of track left by his car,” Gilmour continued. “He says the photo of the footprint in the parking lot looks like the shoe print of the guy he was with, but he maintains he wasn’t there.
“He was overheard talking to another person on the phone, saying that he thought he was going to be arrested. He did ask questions about whether or not hair samples taken from him could also be from another Native. You know, whether or not his hair could be identified in the lab, the truth of the matter is that we really didn’t get any foreign hair from the victim combings, or any from her shirt, and that’s all we had to go from.”
McHugh Creek @ Turnagain Arm (Anchorage Daily News)
“So what’s all this about matching his hair or blood,” Dankworth asked.
“Frankly, he doesn’t know that we don’t have the hair, but someone has been telling him that even if we did have hair, and were able to get a lab match on the blood type from the sperm we recovered from the victim, even that won’t be conclusive. The only thing we really have is the wire that was used to tie her hands and we are playing hell getting the wire identified.”
Gilmour was right. They didn’t have much to go on. The investigation into Beth’s cousin as a murder suspect was at its end, though years later Gilmour would still harbor suspicions.
Walter Gilmour’s narrative is taken from the his early, typewritten notes on “Butcher, Baker,” written in 1983-84. Much of this material ended up on the cutting room floor, as the narrative shifted to the events surrounding Cindy Paulson, a full decade after Beth van Zanten’s murder. It is an honor to share it now, so many years on.
Purchase Butcher, Baker